GEORGE (1828-1909).-Novelist and poet, _b._ at Portsmouth, _s._ of Augustus M., a naval outfitter, who afterwards went to Cape Town, and _ed._ at Portsmouth and Neuwied in Germany. Owing to the neglect of a trustee, what means he had inherited were lost, and he was in his early days very poor. Articled to a lawyer in London, he had no taste for law, which he soon exchanged for journalism, and at 21 he was writing poetry for magazines, his first printed work, a poem on the Battle of Chillianwallah, appearing in _Chambers's Journal_. Two years later he _pub._ _Poems_ (1851), containing _Love in the Valley_. Meantime he had been ed. a small provincial newspaper, and in 1866 he was war correspondent in Italy for the _Morning Post_, and he also acted for many years as literary adviser to Chapman and Hall. By this time, however, he had produced several of his novels. _The Shaving of Shagpat_ had appeared in 1856, _Farina_ in 1857, _The Ordeal of Richard Feverel_ in 1859, _Evan Harrington_ in 1861, _Emilia in England_ (also known as _Sandra Belloni_) in 1864, its sequel, _Vittoria_, in 1866, and _Rhoda Fleming_ in 1865. In poetry he had produced _Modern Love and Poems of the English Roadside_ (1862), generally regarded as his best poetical work. These were followed by _The Adventures of Harry Richmond_ (1871), _Beauchamp's Career_ (1875), said to be the author's favourite, _The Egoist_ (1879), which marks the beginning of a change in style characterised by an even greater fastidiousness in the choice of words, phrases, and condensation of thought than its predecessors, _The Tragic Comedians_ (1880), and _Diana of the Crossways_, the first of the author's novels to attain anything approaching general popularity. The same period yielded in poetry, _Poems and Lyrics of the Joy of Earth_ (1883), _Ballads and Poems of Tragic Life_ (1887), and _A Reading of Earth_ (1888). His later novels, _One of our Conquerors_ (1891), _Lord Ormont and his Aminta_ (1894), and _The Amazing Marriage_ (1895), exhibit a tendency to accentuate those qualities of style which denied general popularity to all of M.'s works, and they did little to add to his reputation. The contemporary poems include _The Empty Purse_ and _Jump to Glory Jane_ (1892). In 1905 he received the Order of Merit, and he _d._ on May 19, 1909. He was twice _m._, his first wife, who _d._ 1860, being a _dau._ of Thomas Love Peacock (_q.v._). This union did not prove in all respects happy. His second wife was Miss Vulliamy, who _d._ 1885. In his earlier life he was vigorous and athletic, and a great walker; latterly he lost all power of locomotion. Though the writings of M. never were and probably never will be generally popular, his genius was, from the very first, recognised by the best judges. All through he wrote for the reader who brought something of mind, thought, and attention, not for him who read merely to be amused without trouble; and it is therefore futile to attribute failure to him because he did not achieve what he did not aim at. Nevertheless, the long delay in receiving even the kind of recognition which he sought was a disappointment to him. Few writers have striven to charge sentences and even words so heavily with meaning, or to attain so great a degree of condensation, with the result that links in the chain of thought are not seldom omitted and left for the careful reader to supply. There is also a tendency to adopt unusual words and forms of expression where plainness and simplicity would have served as well, and these features taken together give reason for the charges of obscurity and affectation so often made. Moreover, the discussion of motive and feeling is often out of proportion to the narrative of the events and circumstances to which they stand related. But to compensate us for these defects he offers humour, often, indeed, whimsical, but keen and sparkling, close observation of and exquisite feeling for nature, a marvellous power of word-painting, the most delicate and penetrating analysis of character, and an invincible optimism which, while not blind to the darker aspects of life, triumphs over the depression which they might induce in a weaker nature. In matters of faith and dogma his standpoint was distinctly negative.
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Литературная энциклопедия. 2012