1) JOHN (_c._ 1586?).-Dramatist, _b._ probably at Ilsington, Devonshire, was admitted to the Middle Temple in 1602, and appears to have practised as a lawyer. His chief plays are _The Lover's Melancholy_ (1629), _'Tis Pity_, _The Broken Heart_, and _Love's Sacrifice_ (1633), _Perkin Warbeck_ (1634), _The Lady's Trial_ (1639), and _Fancies Chaste and Noble_ (1638). He also collaborated with Dekker and Rowley in _The Witch of Edmonton_ (1624). F. has a high position as a dramatist, though rather for general intellectual power and austere beauty of thought than for strictly dramatic qualities. C. Lamb says, "F. was of the first order of poets." He had little humour; his plays, though the subjects are painful, and sometimes horrible, are full of pensive tenderness expressed in gently flowing verse. The date of his death is uncertain. 2) FORD, PAUL LEICESTER (1865-1902).-Novelist and biographer, was _b._ in Brooklyn. He wrote Lives of Washington, Franklin, and others, ed. the works of Jefferson, and wrote a number of novels, which had considerable success, including _Peter Sterling_ (1894), _Story of an Untold Love_, _Janice Meredith_, _Wanted a Matchmaker_, and _Wanted a Chaperone_. He _d._ by his own hand. 3) FORD, RICHARD (1796-1858).-Writer on art and travel, _ed._ at Winchester and Camb., and travelled for several years in Spain, becoming intimately acquainted with the country and people. He wrote a _Handbook for Travellers in Spain_ (1845), which is much more than a mere guide-book, and _Gatherings from Spain_ (1846). An accomplished artist and art critic, he was the first to make the great Spanish painter, Velasquez, generally known in England.
Значение слова FORD в Литературной энциклопедии
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Литературная энциклопедия. 2012