1) RICHARD (1725-1807).-Poet, was _ed._ at Oxford and took orders. He was the author of a poem, _Contemplation_. He also wrote theological and controversial works. 2) GIFFORD, WILLIAM (1756-1826).-Critic and poet, was _b._ of humble parentage at Ashburton, Devonshire, and after being for a short time at sea, was apprenticed to a cobbler. Having, however, shown signs of superior ability, and a desire for learning, he was befriended and _ed._, ultimately at Oxf., where he _grad._ Becoming known to Lord Grosvenor, he was patronised by him, and in course of time produced his first poem, _The Baviad_ (1794), a satire directed against the Delia Cruscans, a clique of very small and sentimental poets, which at once quenched their little tapers. This was followed by another satire, _The Maeviad_, against some minor dramatists. His last effort in this line was his _Epistle to Peter Pindar_ (Dr. Walcot), inspired by personal enmity, which evoked a reply, _A Cut at a Cobbler_. These writings had established the reputation of G. as a keen, and even ferocious critic, and he was appointed in 1797 ed. of the _Anti-Jacobin_, which Canning and his friends had just started, and of the _Quarterly Review_ (1809-24). He also brought out ed. of Massinger, Ben Jonson, and Ford. As a critic he had acuteness; but he was one-sided, prejudiced, and savagely bitter, and much more influenced in his judgments by the political opinions than by the literary merits of his victims. In his whole career, however, he displayed independence and spirit in overcoming the disadvantages of his early life, as well as gratitude to those who had served him. He held various appointments which placed him above financial anxiety.
Значение слова GIFFORD в Литературной энциклопедии
Что такое GIFFORD
Литературная энциклопедия. 2012